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    Movie Times | Movie Reviews | Theater Reviews
IS183 Art School Names Executive Director
10:29PM / Thursday, February 08, 2018
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STOCKBRIDGE, Mass. — IS183 Art School's Board of Directors has named Lucie Castaldo permanent executive director after four months serving in the interim position.

"We are incredibly fortunate to have an internal candidate of such high quality with such an extensive history serving the organization," said Andy Foster, chairman of the board. "Lucie cares so much about our programs, teachers and students and this engagement is infectious. She brings both continuity and – as we can already see a few months in – a raft of new ideas and approaches that will strengthen our service to the Berkshires. With a strong team in place surrounding her, IS183 is

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Barrington Stage Company Announces 2018 Associate Artists
10:13PM / Thursday, February 08, 2018
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PITTSFIELD, Mass. — Barrington Stage Company has announced the 2018 associate artists: director Joe Calarco, costume designer Jennifer Caprio, music director Vadim Feichtner and actress Elizabeth Stanley.

“It is my honor to welcome these outstanding new Associate Artists,” said Artistic Director Julianne Boyd. “Each one has made a significant contribution to the work we do at Barrington Stage. We could not have accomplished all that we have without their enthusiastic support and expertise.”

Formed in 2010, the Associate Artists program’s honorees include choreographer Joshua Bergasse, music director Darren R. Cohen, actor Mark H. Dold, actress Gretchen

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New Clark Art Exhibit Draws From Philanthropist's Collection
By Rebecca Dravis, iBerkshires Staff
07:48AM / Saturday, February 03, 2018
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WILLIAMSTOWN, Mass. — Jay Clarke, the Manton curator of Prints, Drawings, and Photographs at the Clark Art Institute, is going out with a bang.

Clarke, who is leaving the Clark after nine years to return to the Art Institute of Chicago in her hometown, has curated a show featuring one of the world's finest private collections of drawings: those assembled by New York art dealer and philanthropist Eugene V. Thaw.

Thaw donated his collection of more than 400 drawings to the Morgan Library & Museum in New York, which celebrated the gift with the September 2017 opening of "Drawn to Greatness: Master Drawings from the Thaw Collection," an exhibit that has drawn

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'Hostiles': Requiem for the Horse Opera
By Michael S. Goldberger, iBerkshires film critic
02:08PM / Friday, February 02, 2018
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You know that lyric from "Home on the Range," where the cowpoke asserts that "seldom is heard a discouraging word?" Well, if you go by the realistic take on the Old West proffered in director/writer Scott Cooper's "Hostiles," the reason no one says anything discouraging is that they're either dead or fighting like crazy to keep from being dead.    While poet Joel Barlow hoped his "Vision of Columbus" (1787) would be our version of "The Iliad," he was premature. There would be 100 more years of conquering the natives before America's character would be formed.   This is a very studied work, contemplative, moody,

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WAM Announces Expansion of Theater Leadership
10:20AM / Friday, January 26, 2018
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LEE, Mass. — WAM Theatre embarks on its ninth season with the announcement of two new members of the WAM Leadership Team and three new members of its board of directors.

Talya Kingston has been named associate artistic director and Max Galdos-Shapiro will join WAM as general manager. Together with Artistic Director Kristen van Ginhoven and Philanthropy and Outreach Coordinator Gwendolyn Tunnicliffe, they comprise the leadership team at WAM Theatre.

Newly appointed to WAM's board of directors are Lynn Festa, Wendy Healey and Arwen Lowbridge.

"We are incredibly proud to have created two new leadership positions at WAM Theatre," van Ginhoven said. "As a growing

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'Phantom Thread': When Love Is In Fashion
By Michael S. Goldberger, iBerkshires film critic
02:51PM / Thursday, January 25, 2018
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Though perhaps deluded, I'd like to think I put as much effort into an essay as Daniel Day-Lewis' Reynolds Woodcock devotes to making a dress in Paul Thomas Anderson's "Phantom Thread."    This is the sort of person you want doing your heart operation, piloting the airplane you're on, or teaching your kid. He's the real deal, and suffers for it, too. The maladies of obsessive genius are many. But the inherent reward is matchless, with the added benefit, aside from financial remuneration, of almost having a right to the arrogance you exude, if so inclined.   Welcome to Mr. Woodcock's world, a special place of understated elegance based in a

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'The Post': The Stuff of Pulitzers
By Michael S. Goldberger, iBerkshires film critic
03:12PM / Thursday, January 18, 2018
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When we look back at this currently shameful nadir in American history, we will have heartening movies like Steven Spielberg's "The Post," about how the title newspaper fought a disingenuous U.S. government, to remind us of our successful defense of the 1st Amendment. It is a testament to the uses of history.    Although the film is an exciting, often heart-pounding chronicle of the Nixon-era Pentagon Papers scandal, we know full well that, just as the Korea-based "MASH" (1970) was about Vietnam, this past triumph is also crucial to the here and now.   Once again we are heroically reminded that the Founding Fathers knew what they were doing. Although

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'Darkest Hour': Saving The World 101
By Michael S. Goldberger, iBerkshires film critic
07:14PM / Friday, January 12, 2018
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It is said that if you're hungry and motoring in a hurry, unable to stop due to time constraints, ubiquitous eateries will line the road. Likewise, an analogous case exists in times of sociopolitical crisis. Looking at our current situation in America, I see metaphors everywhere.   But in viewing Gary Oldman's tour de force portrayal of Winston Churchill in director Joe Wright's "Darkest Hour," it takes no great stretch of the imagination to draw comparisons. A threat to civilization is a threat to civilization.   The difference is that while the United Kingdom and eventually most of its allies, including the United States, faced an external menace back in

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'The Greatest Showman': For Ladies, Gentlemen & Parentally Guided Children of All Ages
By Michael S. Goldberger, iBerkshires film critic
04:08PM / Thursday, January 04, 2018
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Watching Michael Gracey's "The Greatest Showman," about the life and times of circus visionary P.T. Barnum, it occurred to me that the Trump debacle wasn't just about old white men afraid of losing their foothold. And it also wasn't just about white supremacists afraid of multiculturalism, or about trying to preserve dodo bird industries that would have no future place in our health, wealth and commonweal if we were to progress as a nation.    Nope, I fear it has to do with our basest instincts: a curiosity and approach-avoidance appetite for the macabre.   It is our national car accident, turned upside down on the side of the road, unheard screaming

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'The Shape of Water': No Ordinary Fish Tale
By Michael S. Goldberger, iBerkshires film critic
01:41PM / Thursday, December 28, 2017
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If you think the book was closed long ago on fairy tales, that they've all been written and read, and that the genre is further rendered obsolete by the brutal, anti-intellectual sentiment now rearing its ugly head in America, then you need to see "The Shape of Water."    Director Guillermo del Toro's beautifully conceived, written and acted fantasy, at once cynical, imaginative and wistfully altruistic, enchantingly draws us into its dissection of our existence, telling its classical good vs. evil tale with a reverence for the truth we humans require in order to flourish.   Del Toro touts the inherent worth and sanctity of the individual in the unlikely

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