|'The Post': The Stuff of Pulitzers|
When we look back at this currently shameful nadir in American history, we will have heartening movies like Steven Spielberg's "The Post," about how the title newspaper fought a disingenuous U.S. government, to remind us of our successful defense of the 1st Amendment. It is a testament to the uses of
|'Darkest Hour': Saving The World 101|
It is said that if you're hungry and motoring in a hurry, unable to stop due to time constraints, ubiquitous eateries will line the road. Likewise, an analogous case exists in times of sociopolitical crisis. Looking at our current situation in America, I see metaphors everywhere.
But in viewing Gary Oldman's tour de force
|'The Shape of Water': No Ordinary Fish Tale|
If you think the book was closed long ago on fairy tales, that they've all been written and read, and that the genre is further rendered obsolete by the brutal, anti-intellectual sentiment now rearing its ugly head in America, then you need to see "The Shape of Water."
Director Guillermo del Toro's
|'Wonder Wheel': Round and Round It Goes|
Woody Allen flummoxes us. I think it was Henry Miller who asked to be judged by his literary work and not his personal life. "Fat chance" said some; "OK" said others; and "Who's Henry Miller?" was doubtlessly the response by most.
While Allen makes no such plea, aloud or tacitly, the arrival of
|'The Disaster Artist': No Soap, Radio|
Director James Franco's "The Disaster Artist" reminded me of a non-joke that popularly circulated when I was a kid. It goes like this: Two elephants are in a bathtub and, when one says to the other, "Pass the soap," the other elephant informs, "No soap, radio."
You tell it and then you laugh,
|'The Man Who Invented Christmas': The Dickens, You Say|
Once upon a time, a woman at a party who learned I was a film critic crossed the crowded room and asked, "From whence do you get your inspiration?" So OK, she didn't really say "whence." But anyway, I was a bit flummoxed and, making it as clear as I could, answered, "Well, I see the movie that I intend to
|'Three Billboards Outside Ebbing, Missouri': Signs of the Times|
Director Martin McDonagh's compelling "Three Billboards Outside Ebbing, Missouri" features, among other things, misogyny, police brutality, racism, rape, child molestation, white supremacy, unrestricted gun possession, and anti-gay sentiments.
But no, it's not about Roy Moore's quest to represent
|'Justice League': Oh Superman, Where Art Thou?|
Prior to becoming one special effects-crammed battle scene after the next, director Zack Snyder's "Justice League" spends an inordinate amount of time detailing the difficulties of putting together the folks necessary to saving the world. Mind you, I'm not talking about the 20 or 30 influential U.S. senators and congresspeople
|'LBJ': Offers Hope From the Past|
Viewers uninterested in politics and American history probably won't enjoy the insight and philosophical ruminations ventured by director Rob Reiner in his savvy biopic, "LBJ." Detailing the momentous ebb and flow of the times just before and after the ascension of Lyndon Baines Johnson to the presidency of the United States in
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